The Fire Inside of Me
“The Fire Inside of Me” is a bold and dynamic abstract painting that radiates intensity and passion. A striking fusion of deep reds, burnt sienna, and warm ochre tones ignites the canvas, evoking the raw energy of fire and molten lava. The swirling movement of color, layered with rich textures and expressive strokes, creates an almost volcanic explosion of emotion. The interplay between dark, smoldering shadows and bright, glowing highlights suggests both destruction and renewal, capturing the essence of inner strength, transformation, and unbridled passion. This piece is a visceral expression of the unstoppable force that burns within.
Heartwood Reverie
“Heartwood Reverie” delves into the soul of an ancient tree, capturing the essence of time etched in its core. Swirling layers of deep mahogany, burnt sienna, and umber spiral inward, mirroring the sacred rings that tell a story of endurance, growth, and transformation. The rich textures and earthy hues evoke the warmth of aged timber, while hints of black and ivory suggest the scars and wisdom carried through the years. This piece is a meditation on nature’s quiet strength—where resilience and memory intertwine in the heartwood of existence.
Studies of Her No 1
Created as one of 4 studies of the female body. All paintings of the series are painted with pallette knife using the same tones of Burnt Umber, Azo Yellow, Deep Red, and Yellow Ochre. The paint is applied thickly (impasto) which gives the painting its characteristic expression—with expressive marks and structural depth.
Studies of Her No 2
Created as one of 4 studies of the female body. All paintings of the series are painted with pallette knife using the same tones of Burnt Umber, Azo Yellow, Deep Red, and Yellow Ochre. The paint is applied thickly (impasto) which gives the painting its characteristic expression—with expressive marks and structural depth.
Studies of Her No 3
Created as one of 4 studies of the female body. All paintings of the series are painted with pallette knife using the same tones of Burnt Umber, Azo Yellow, Deep Red, and Yellow Ochre. The paint is applied thickly (impasto) which gives the painting its characteristic expression—with expressive marks and structural depth.
Studies of Her No 4
Created as one of 4 studies of the female body. All paintings of the series are painted with pallette knife using the same tones of Burnt Umber, Azo Yellow, Deep Red, and Yellow Ochre. The paint is applied thickly (impasto) which gives the painting its characteristic expression—with expressive marks and structural depth.
The Flower Bouquet
This abstract painting of a vibrant flower bouquet highlights a striking interplay of colors, with deep reds boldly standing out amidst softer tones. Ultramarine blue and subtle shades of green delicately frame the composition, enhancing the bouquet’s dynamic presence. The palette knife impasto technique adds rich texture and depth, with thick, expressive strokes creating a sense of movement and life.
Curves & Shades
This abstract study of a woman’s torso captures the graceful curves and subtle shades in a dedicated composition. Soft tones of Yellow Ochre and Burnt Umber dominate the palette, creating a harmonious balance of warmth and depth. The use of palette knife impasto adds a dynamic texture to the piece, with thick, expressive layers of paint that emphasize the form while inviting the viewer to engage with the tactile quality of the artwork.
The secret life of soil
Beneath the surface, an unseen world pulses with life, transformation, and decay. “The Secret Life of Soil” unveils the hidden rhythms of the earth—where organic matter intertwines with the passage of time, creating a rich tapestry of color and texture. Deep umber and rust tones suggest the fertile depths, while bursts of white evoke the presence of microscopic life and the energy of renewal. Layers of raw texture seem to capture the history of the land itself, revealing that even in stillness, the earth is alive with constant motion. This piece invites reflection on the intricate ecosystems below our feet, a reminder that the foundation of life is often unseen but always essential.
Touched by flames
“Touched by Flames” captures the moment when chaos meets order, when fire licks the edges of a crumbling world. It may appear like a fragmented cityscape of white and black, a structured foundation that unravels under the creeping advance of red. Streaks of crimson drip like embers melting through the surface, splattering against the stark monochrome beneath them. It’s a piece that evokes both destruction and resilience, a reminder of the beauty and ferocity in transformation.
