Studies of Her No 4

Created as one of 4 studies of the female body. All paintings of the series are painted with pallette knife using the same tones of Burnt Umber, Azo Yellow, Deep Red, and Yellow Ochre. The paint is applied thickly (impasto) which gives the painting its characteristic expression—with expressive marks and structural depth.

Studies of Her No 3

Created as one of 4 studies of the female body. All paintings of the series are painted with pallette knife using the same tones of Burnt Umber, Azo Yellow, Deep Red, and Yellow Ochre. The paint is applied thickly (impasto) which gives the painting its characteristic expression—with expressive marks and structural depth.

Studies of Her No 2

Created as one of 4 studies of the female body. All paintings of the series are painted with pallette knife using the same tones of Burnt Umber, Azo Yellow, Deep Red, and Yellow Ochre. The paint is applied thickly (impasto) which gives the painting its characteristic expression—with expressive marks and structural depth.

Studies of Her No 1

Created as one of 4 studies of the female body. All paintings of the series are painted with pallette knife using the same tones of Burnt Umber, Azo Yellow, Deep Red, and Yellow Ochre. The paint is applied thickly (impasto) which gives the painting its characteristic expression—with expressive marks and structural depth.

Heartwood Reverie

“Heartwood Reverie” delves into the soul of an ancient tree, capturing the essence of time etched in its core. Swirling layers of deep mahogany, burnt sienna, and umber spiral inward, mirroring the sacred rings that tell a story of endurance, growth, and transformation. The rich textures and earthy hues evoke the warmth of aged timber, while hints of black and ivory suggest the scars and wisdom carried through the years. This piece is a meditation on nature’s quiet strength—where resilience and memory intertwine in the heartwood of existence.

The Fire Inside of Me

“The Fire Inside of Me” is a bold and dynamic abstract painting that radiates intensity and passion. A striking fusion of deep reds, burnt sienna, and warm ochre tones ignites the canvas, evoking the raw energy of fire and molten lava. The swirling movement of color, layered with rich textures and expressive strokes, creates an almost volcanic explosion of emotion. The interplay between dark, smoldering shadows and bright, glowing highlights suggests both destruction and renewal, capturing the essence of inner strength, transformation, and unbridled passion. This piece is a visceral expression of the unstoppable force that burns within.

Reflections in Ember

“Reflections in Ember” is an abstract acrylic painting that carries a dynamic interplay of deep yellow, burnt umber, and forest green, creating a composition that feels both organic and structured. The palette knife technique lends the piece a raw, expressive energy, with bold strokes and layered textures adding depth and movement. Hints of crimson flicker through the composition, reminiscent of glowing embers within a smoldering landscape. The contrast between the vibrant, earthy hues and the crisp white backdrop enhances the visual tension. A study of balance and contrast, “Reflections in Ember” captures a moment of quiet intensity, where color and form converge in a striking yet harmonious abstraction.