Studies of Her No 4

Created as one of 4 studies of the female body. All paintings of the series are painted with pallette knife using the same tones of Burnt Umber, Azo Yellow, Deep Red, and Yellow Ochre. The paint is applied thickly (impasto) which gives the painting its characteristic expression—with expressive marks and structural depth.
The Flower Bouquet

This abstract painting of a vibrant flower bouquet highlights a striking interplay of colors, with deep reds boldly standing out amidst softer tones. Ultramarine blue and subtle shades of green delicately frame the composition, enhancing the bouquet’s dynamic presence. The palette knife impasto technique adds rich texture and depth, with thick, expressive strokes creating a sense of movement and life.
Curves & Shades

This abstract study of a woman’s torso captures the graceful curves and subtle shades in a dedicated composition. Soft tones of Yellow Ochre and Burnt Umber dominate the palette, creating a harmonious balance of warmth and depth. The use of palette knife impasto adds a dynamic texture to the piece, with thick, expressive layers of paint that emphasize the form while inviting the viewer to engage with the tactile quality of the artwork.
Studies of Her No 1

Created as one of 4 studies of the female body. All paintings of the series are painted with pallette knife using the same tones of Burnt Umber, Azo Yellow, Deep Red, and Yellow Ochre. The paint is applied thickly (impasto) which gives the painting its characteristic expression—with expressive marks and structural depth.
Studies of Her No 2

Created as one of 4 studies of the female body. All paintings of the series are painted with pallette knife using the same tones of Burnt Umber, Azo Yellow, Deep Red, and Yellow Ochre. The paint is applied thickly (impasto) which gives the painting its characteristic expression—with expressive marks and structural depth.
Studies of Her No 3

Created as one of 4 studies of the female body. All paintings of the series are painted with pallette knife using the same tones of Burnt Umber, Azo Yellow, Deep Red, and Yellow Ochre. The paint is applied thickly (impasto) which gives the painting its characteristic expression—with expressive marks and structural depth.